Friday, May 16, 2008

Piano Lesson – II

¾ Timing Triple time

Right Hand: G F E F E D E D C D E D
5 4 3 4 3 2 3 2 1 2 3 2

Left Hand: C D E F
5 4 3 2

Right Hand: C D E G F E D E D C
1 2 3 5 4 3 2 3 2 1

Left Hand: E C G C
3 5 1 5

Right Hand: D E D C D E F E F D E F
2 3 2 1 2 3 4 3 4 2 3 4

Left Hand: G C D G
1 5 4 1

Right Hand: G F E D E F E F D C
5 4 3 2 3 4 3 4 2 1

Left Hand: E F G C
3 2 1 5

=+=+=+=+=+=+=+=
Note: Numbers are finger numbers.
=+=+=+=+=+=+=+=

Thursday, May 15, 2008

Golmaal (Old) Anewala Pal

F – Major

Music

1. F D C# C A G# A F repeat this line

2. E D repeat 4 times | E D repeat 4 times. Repeat this whole line

3. A A# | [A D E F E D]² A# | D C A#

A D A | G A G | F

Song

4. F D | A G# A | D C# D A | F C A |

A | G A F

5. F G A D | D | C# D E E D C G

A | G F repeat this line.

6. A A# C A# A G | G A A# A G F

7. G F | A G | A# A | C A# A | C# D

8. Repeat 5 – 6 – 7 lines.

Music

9. (run) FGF E D C A# A G FGF E G A#

10. G | (run) FGF E D C A# A G FGF E G A#

11. F | FGF E | G | G A G F

12. A G F E D C A# A G F

13. F | E | F | A | [G A# F A]³

Antara

14. F F F | E G | E F

15. A A A | G C | G F

16. Repeat 14 & 15 lines.

17. C | C C | C D F D A# | D D D | C D

E | C C|

18. Repeat 6 – 7 – 8 lines.

=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=

note:

Notes with underline are of lower octave.

Notes that are underlined together are to play together

=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=

Friday, May 9, 2008

Basic Piano Lesson:

This is a basic piano lesson, to practice with both left and right hand.

Notations in the first line are of Left hand, you will have to play them continuously with the rhythm 1-21-21-2……

Notations from the second line till the end are of Right hand.

You will have to play this lesson with both hands to practice.

But first practice try them with one hand at a time.

Left Hand:-

C G D G D G C G

Right Hand:-

E C E G F E D

F D E F E D C

E C E G F E D

G F E D E C C

This lesson is in C Major scale, you can practice it with other scales too.

Monday, March 31, 2008

Chura liya hai tumne jo dil ko - Yaadon ki Baarat

Am G
Churaliya hai tumne jo dil ko
S S G R S S SR S n m
C+ C+ D#+ D+ C+ C+ C+D+ C+ A# F

Am E
nazar nahin churana sanam
S S G R S S SR S n3
C+ C+ D#+D+ C+ C+ C+D+ C+ B

Am G
badal ke meri tum zindagani
S S G R S S SR S nSn nm
C+ C+ D#+ D+ C+ C+ C+D+ C+ A#C+A# A#F

Am E
kahin badal na jaana sanam
S S G R S S SR S n3
C+ C+ D#+ D+ C+ C+ C+D+ C+ B

Am Em Am Em
Ho le liya dil, o hai mera dil
M M M MP MR M M M MP MR
F+ F+ F+ F+G+ F+D+ F+ F+ F+ F+G+ F+D+

A A
hai dil lekar muzhko na behlana
M G3 S G3R S G3R S G3RS G3R
F+ E+ C+ E+D+ C+ E+D+ C+ E+D+C+ E+D+

Am
(Churaliya)
S S G R
C+ C+ D#+ D+ G

Am
Bahar banke aoon kabhi tumhari duniya mein
S R G M M M PM G R S R G G G G G
C+ D+ D#+ F+ F+ F+ G+F+ D#+D+ C+ D+ D#+ D#+ D#+ D#+ D#+ G

Am
guzar na jaye ye din kahin isi tamanna mein
S R G M M M PM G R SRG S S S S
C+ D+ D#+ F+ F+ F+ G+F+ D#+D+ C+D+D#+ C+ C+ C+ C+

Am Em Am Em
tum mere ho, ha tum mere ho
M M MP MR M M M MP MR
F+ F+ F+G+ F+D+ F+ F+ F+ F+G+ F+D+

A A
aaj tum itna wada karke jaana
M G3 S G3R S G3R S G3R S G3R
F+ E+ C+ E+D+ C+ E+D+ C+ E+D+ C+ E+D+

Am
(Churaliya)
S S G R
C+ C+ D#+ D+

Wednesday, March 26, 2008

The keyboard basic

The keyboard basic:

As you know there are twelve keys in keyboard, 5 blacks & 7 white.

Black ones are called sharp they are symbolized with # this.

Below is the basic keybord structure:

black keys: C# D# F# G# A#
White keys:
C D E F G A B

Above you saw is the basic structure of keyboard. All these twelve keys forms one octave,

Every normal keyboard has 6-7 octaves. This is the basic knowledge of keyboard.
next post will be a latest song notation, you can feel free to coment on this post.
Regards, Samir.

Tuesday, March 25, 2008

Intro

Hello, Friends
This is my first post of this blog.
As the title goes this is "music driven" blog, so I will be posting popular hindi old/new song notations on this blog. you are free to view them or save them, do give the feedback to my postings.
Regards, Samir.
धन्यवाद.